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		<title>Buddha B. Goode: Originality, Remix, and a Secular Buddhism</title>
		<link>https://nomosjournal.org/2017/11/buddha-b-goode/</link>
		<category>Articles</category>
		<comments>https://nomosjournal.org/2017/11/buddha-b-goode/#respond</comments>
		<pubDate>Sun, 12 Nov 2017 16:00:19 +0000</pubDate>
		<dc:creator>Seth M. Walker</dc:creator>
		<guid isPermaLink="false">http://nomosjournal.org/?p=3612</guid>
			<description><![CDATA[The Secular Buddhist attempt to get back to an “original” form of Buddhism is riddled with issues pertaining to originality and authorship – especially given the emphasis on change and reconfiguration throughout the history of Buddhist thought and practice. The conceptual notion of "remix" provides a unique lens through which we might explore and reconsider such an inherently problematic venture.]]></description>
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		<title>“What Do You Got That Cross for in Your Apartment?”: Sacrifice and Semiotics in HBO’s True Detective</title>
		<link>https://nomosjournal.org/2016/01/what-do-you-got-that-cross-for-in-your-apartment/</link>
		<category>Articles</category>
		<comments>https://nomosjournal.org/2016/01/what-do-you-got-that-cross-for-in-your-apartment/#comments</comments>
		<pubDate>Sat, 09 Jan 2016 16:30:38 +0000</pubDate>
		<dc:creator>Seth M. Walker</dc:creator>
		<guid isPermaLink="false">http://nomosjournal.org/?p=3348</guid>
			<description><![CDATA[Rust Cohle’s peculiar interpretation of the crucifix in the first season of HBO’s <em>True Detective</em> can be better understood through the interpretive lens of semiotics and an application of Roland Barthes’ notion of “myth.” Such an analysis actually frames Rust’s interpretation as one parallel to the typical sort of sacrificial and representative reading the image usually invites.]]></description>
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		<slash:comments>1</slash:comments>
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		<title>From Race to Religion: Muslim as Vampire in HBO’s True Blood</title>
		<link>https://nomosjournal.org/2014/10/from-race-to-religion-muslim-as-vampire-in-hbos-true-blood/</link>
		<category>Articles</category>
		<comments>https://nomosjournal.org/2014/10/from-race-to-religion-muslim-as-vampire-in-hbos-true-blood/#respond</comments>
		<pubDate>Thu, 09 Oct 2014 17:38:01 +0000</pubDate>
		<dc:creator>Christina Wilkins</dc:creator>
		<guid isPermaLink="false">http://nomosjournal.org/?p=2933</guid>
			<description><![CDATA[The narrative use of vampires has changed with evolving cultural attitudes, and contemporary incarnations, such as HBO's <em>True Blood</em>, offer viewers creative ways to engage religious, sociocultural, and political themes. In this case, an opportunity to perhaps examine Muslim identity and misdirected cultural assumptions that have escalated since 9/11.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Searching for Integrity: The Politics of Mindfulness in the Digital Economy</title>
		<link>https://nomosjournal.org/2013/08/searching-for-integrity/</link>
		<category>Articles</category>
		<comments>https://nomosjournal.org/2013/08/searching-for-integrity/#comments</comments>
		<pubDate>Mon, 05 Aug 2013 08:28:21 +0000</pubDate>
		<dc:creator>Kevin Healey</dc:creator>
		<guid isPermaLink="false">http://nomosjournal.org/?p=1700</guid>
			<description><![CDATA[Tech companies like Google, Apple, and Facebook boast of high employee satisfaction, with access to meditation rooms and yoga programs. But, as corporate mindfulness programs create bubbles of integrity for employees, they externalize the problems of fragmentation and distraction.]]></description>
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		<slash:comments>4</slash:comments>
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		<title>No Church in the Wild: An Ontology of Hip Hop&#8217;s Socio-Religious Discourse in Tupac&#8217;s &#8220;Black Jesuz&#8221;</title>
		<link>https://nomosjournal.org/2013/03/no-church-in-the-wild/</link>
		<category>Articles</category>
		<comments>https://nomosjournal.org/2013/03/no-church-in-the-wild/#respond</comments>
		<pubDate>Sun, 24 Mar 2013 00:44:40 +0000</pubDate>
		<dc:creator>Daniel White Hodge</dc:creator>
		<guid isPermaLink="false">http://nomosjournal.org/?p=1286</guid>
			<description><![CDATA[Within this discourse, there is something larger at work: a fundamental attempt to make God more accessible to a people who have been, in large part, ignored by many religious and spiritual entities.]]></description>
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		<title>Tool and the Dionysian Future of Music: A Pop Analysis</title>
		<link>https://nomosjournal.org/2013/03/tool-and-the-dionysian-future-of-music/</link>
		<category>Articles</category>
		<comments>https://nomosjournal.org/2013/03/tool-and-the-dionysian-future-of-music/#comments</comments>
		<pubDate>Mon, 04 Mar 2013 23:41:38 +0000</pubDate>
		<dc:creator>Sam Mickey</dc:creator>
		<guid isPermaLink="false">http://nomosjournal.org/?p=1277</guid>
			<description><![CDATA[Tool’s music opens possibilities for becoming different, intensifying one’s existence so as to facilitate healing for the microcosm and macrocosm of self and world.]]></description>
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		<slash:comments>7</slash:comments>
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		<title>The Nittany Lions Sect: Pennsylvania State Civil Religion and Public Perceptions of the Cultic</title>
		<link>https://nomosjournal.org/2012/12/nittany-lions-sect/</link>
		<category>Articles</category>
		<comments>https://nomosjournal.org/2012/12/nittany-lions-sect/#respond</comments>
		<pubDate>Thu, 20 Dec 2012 15:18:29 +0000</pubDate>
		<dc:creator>Craig A. Forney</dc:creator>
		<guid isPermaLink="false">http://nomosjournal.org/?p=984</guid>
			<description><![CDATA[Commentators have frequently ascribed cult-like qualities to the culture surrounding the Nittany Lions football program, but further investigation reveals this attribution to be highly oversimplified, and discloses an alarming lack of “religion literacy.”]]></description>
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		<slash:comments>0</slash:comments>
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		<title>&#8220;Whatever It is, We All Carry It&#8221;: Taṇhā and AMC&#8217;s The Walking Dead</title>
		<link>https://nomosjournal.org/2012/10/whatever-it-is-we-all-carry-it/</link>
		<category>Articles</category>
		<comments>https://nomosjournal.org/2012/10/whatever-it-is-we-all-carry-it/#respond</comments>
		<pubDate>Tue, 09 Oct 2012 18:32:45 +0000</pubDate>
		<dc:creator>Seth M. Walker</dc:creator>
		<guid isPermaLink="false">http://nomosjournal.org/?p=907</guid>
			<description><![CDATA[Through their insatiable thirsts and cravings, the "walkers" and survivors in the series symbolically manifest the Buddhist notion of taṇhā.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Zombie Marches and the Limits of Apocalyptic Space</title>
		<link>https://nomosjournal.org/2012/08/zombie-marches-and-the-limits-of-apocalyptic-space/</link>
		<category>Articles</category>
		<comments>https://nomosjournal.org/2012/08/zombie-marches-and-the-limits-of-apocalyptic-space/#comments</comments>
		<pubDate>Tue, 07 Aug 2012 14:40:11 +0000</pubDate>
		<dc:creator>Andrew Tripp</dc:creator>
		<guid isPermaLink="false">http://nomosjournal.org/?p=873</guid>
			<description><![CDATA[The limits of apocalyptic space must be considered, as well as the possibility that the space created by apocalyptic performances in zombie marches might only ever be spectacle, which reinforces the social order that the apocalyptic narrative critiques.]]></description>
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		<slash:comments>1</slash:comments>
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	<item>
		<title>Ovila de Sierra Nevada: American-Made Trappist Ale</title>
		<link>https://nomosjournal.org/2012/04/ovila-de-sierra-nevada/</link>
		<category>Articles</category>
		<comments>https://nomosjournal.org/2012/04/ovila-de-sierra-nevada/#comments</comments>
		<pubDate>Wed, 11 Apr 2012 21:55:38 +0000</pubDate>
		<dc:creator>Seth M. Walker</dc:creator>
		<guid isPermaLink="false">http://nomosjournal.org/?p=659</guid>
			<description><![CDATA[The collaboration between Sierra Nevada Brewing Company and the Trappist Abbey of New Clairvaux demonstrates a clear example of the intersection between religion and popular culture.]]></description>
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		<slash:comments>2</slash:comments>
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