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	<title>Comments on: The Rhythm of Spirit Possession: An Entrancing Legacy</title>
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	<link>https://nomosjournal.org/columns/sounding-sacred/the-rhythm-of-spirit-possession/</link>
	<description>Pop Culture Made Meaningful</description>
	<lastBuildDate>Mon, 26 Aug 2019 02:03:30 -0600</lastBuildDate>
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		<title>By: Súle Greg C. Wilson</title>
		<link>https://nomosjournal.org/columns/sounding-sacred/the-rhythm-of-spirit-possession/#comment-8</link>
		<dc:creator>Súle Greg C. Wilson</dc:creator>
		<pubDate>Tue, 25 Jun 2019 23:00:44 +0000</pubDate>
		<guid isPermaLink="false">http://nomosjournal.org/?post_type=column&#038;p=2752#comment-8</guid>
		<description>In reply to &lt;a href=&quot;https://nomosjournal.org/columns/sounding-sacred/the-rhythm-of-spirit-possession/#comment-7&quot;&gt;Tatyana&lt;/a&gt;.

Read my book, The Drummer&#039;s Path: Moving the Spirit with Ritual and Traditional Drumming.

Also, the true basis of the article is that all the &quot;pop&quot; music mentioned is based upon the music and culture of transplanted Africans.  There&#039;s no mention of the &quot;pop&quot; music of pre-African-Influenced Euro-Americans: Rudy Valee, Tin Pan Alley, et cetera.  Basically, African and Post-African music--and its derivative, Rock&#039;n&#039;Roll, are of Spirit.</description>
		<content:encoded><![CDATA[<p>In reply to <a href="https://nomosjournal.org/columns/sounding-sacred/the-rhythm-of-spirit-possession/#comment-7">Tatyana</a>.</p>
<p>Read my book, The Drummer&#8217;s Path: Moving the Spirit with Ritual and Traditional Drumming.</p>
<p>Also, the true basis of the article is that all the &#8220;pop&#8221; music mentioned is based upon the music and culture of transplanted Africans.  There&#8217;s no mention of the &#8220;pop&#8221; music of pre-African-Influenced Euro-Americans: Rudy Valee, Tin Pan Alley, et cetera.  Basically, African and Post-African music&#8211;and its derivative, Rock&#8217;n&#8217;Roll, are of Spirit.</p>
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		<title>By: Tatyana</title>
		<link>https://nomosjournal.org/columns/sounding-sacred/the-rhythm-of-spirit-possession/#comment-7</link>
		<dc:creator>Tatyana</dc:creator>
		<pubDate>Sun, 28 May 2017 18:12:37 +0000</pubDate>
		<guid isPermaLink="false">http://nomosjournal.org/?post_type=column&#038;p=2752#comment-7</guid>
		<description>This is incredibly well written. I have never heard anyone make such a fighting point for pop music, but during my young adulthood I do remember feeling a spiritual connection to many of the sounds created by modern artists. Really, just considering that we are mysterious (if anything) in our existence, it&#039;s surprising how often we let others define our personal spirituality. Thank you for writing this, I will forward it and use it as a reference in my own writing.</description>
		<content:encoded><![CDATA[<p>This is incredibly well written. I have never heard anyone make such a fighting point for pop music, but during my young adulthood I do remember feeling a spiritual connection to many of the sounds created by modern artists. Really, just considering that we are mysterious (if anything) in our existence, it&#8217;s surprising how often we let others define our personal spirituality. Thank you for writing this, I will forward it and use it as a reference in my own writing.</p>
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		<title>By: Oksana</title>
		<link>https://nomosjournal.org/columns/sounding-sacred/the-rhythm-of-spirit-possession/#comment-6</link>
		<dc:creator>Oksana</dc:creator>
		<pubDate>Fri, 17 Feb 2017 08:21:52 +0000</pubDate>
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		<description>I&#039;m interested in connections between hip hop music and dance and diasporic spiritual practices. I&#039;d be glad if any article covers such topics.</description>
		<content:encoded><![CDATA[<p>I&#8217;m interested in connections between hip hop music and dance and diasporic spiritual practices. I&#8217;d be glad if any article covers such topics.</p>
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